Little Richard - Here's Little Richard / Little Richard, Vol.2 (1957-58) [2006's MFSL # UDSACD 2028] RE-UP


Little Richard - Here's Little Richard / Little Richard, Vol.2 (1957-58) [2006]
EAC-FLAC Image with CUE & LOG - 217 MB | 55:58 min | Full Scans | MP3 CBR 320 Kbps - 116 MB
+ PS3 Rip | SACD ISO | Stereo DSD64 2.0 > 1-bit/2.8224 MHz | Artwork | 1,46 GB
MONO | Label: Mobile Fidelity Sound Lab | Cat. # UDSACD 2028

All 24 timeless classics that comprise the entirety of 1957's Here's Little Richard and 1958's Little Richard are here, each remastered from the original master tapes. For the first time, the sheer exuberance, ferocious urgency, and joyous passion of all of the singer's moans, screams, yelps, shouts, whoos, and impromptu interjections come alive with high-voltage detail and colorful immediacy. This is as explosive, engaging, and lively as early Rock N' Roll can sound.


Review by Birney Brown, Audiophile audition:
When you think about it, there really haven't been all that many musicians who actually did change the face of rock 'n' roll. Little Richard was certainly one of the select few. He merged gospel, soul and rock into a rollicking stew - but also just might have provided the genesis for the glam movement of the 1970s. His ground-breaking mascara, pencil-thin mustache and outrageous stage antics provided inspiration for a multitude of artists. He had a habit of leaving and then returning to the rock 'n' roll scene, but was always worshipped. As is often the case, one of his comebacks completely captivated trendy Britain. Not many artists can say he had the Beatles and Rolling Stones appear on his show bill, as well as once having Jimi Hendrix as a band member. One of the keys to Little Richard's bombastic shows was his piano-driven singing style combined with the presence of background vocals and sharper-than-sharp New Orleans based horns. He certainly did have a magnificent conception of the keyboard's contribution, both when punishing them on stage and in the studio.

This superb Mobile Fidelity Sound Labs release combines Little Richard's first two album releases from 1957 ("Here's Little Richard") and 1958 ("Little Richard"). Both records on the Specialty label were actually collections of his singles and B-sides released from 1956-58. Twenty-three tracks presented in the glorious original mono without any gimmicky attempt to re-channel into fake stereo. That's the way it must be 'cause you really shouldn't fool around with perfection - leave it as it is and just goose the existing sonics to state-of-the-art.

The disc starts off with "Tutti Fruitti", a number LR had going around his head. Actually, his initial "version" almost got him kicked out of the studio before he cleaned it up for safe consumption by the masses (and the producer). The remaining tracks as listed below are all equally as hot. Just about all of them placed in both the R&B and pop charts. One of Little Richard's other ground-breaking qualities was his ability to cross over and appeal to all types of music lovers. One of my greatest failures as a life-long music lover has been missing the live stage acts of both Little Richard and the mid-sixties James Brown. Even though I was quite young at the time, I could have somehow pulled it off and not doing so was simply inexcusable.

One of the best things about Little Richard's records is that they invariably contain a live vibe. So if you can try to imagine the visuals, it's still a great show. With the much-anticipated return to the scene of Mobile Fidelity Sound Labs, the sonics have been raised to a level only before heard in the original studio sessions. The packaging itself is fascinating with the technical description of mastering techniques and a "so cool" B&W photo of the band in action - Little Richard is at the piano on one leg with his arms surrounding his other raised leg with its foot above the keys!

This double-album release is a necessary purchase on so many levels, even at the premium price. No rock 'n' roll historian or anyone else pretending to have anything even approaching an exhaustive music collection should be without it! Prime stuff from one of the greatest performers ever in this cultural gift we call music.


Tracks:

01. Tutti Frutti
02. True Fine Mama
03. Can't Believe You Wanna Leave
04. Ready Teddy
05. Baby
06. Slippin' And Slidin'
07. Long Tall Sally
08. Miss Ann
09. Oh Why
10. Rip It Up
11. Jenny Jenny
12. She's Got It
13. Keep A Knockin'
14. By The Light Of The Silvery Moon
15. Send Me Some Lovin'
16. I'll Never Let You Go
17. Heeby Jeebies
18. All Around The World
19. Good Golly, Miss Molly
20. Baby Face
21. Hey Hey Hey Hey
22. Ooh! My Soul
23. The Girl Can't Help It
24. Lucille



Mastered by MFSL, Sebastopol, CA. on Gain 2 System by Shawn R. Brighton.

EAC extraction logfile from 30. June 2007, 0:44 for CD
Little Richard / Here's Little Richard + Little Richard

Used drive : CREATIVEDVD-ROM DVD1610E Adapter: 1 ID: 0
Read mode : Secure with NO C2, accurate stream, disable cache
Read offset correction : 594
Overread into Lead-In and Lead-Out : No

Used output format : Internal WAV Routines
44.100 Hz; 16 Bit; Stereo

Other options :
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Installed external ASPI interface


Range status and errors
Selected range
Filename C:Documents and SettingsПользовательРабочий столДля работы с музыкойPashaLittle Richard - Here's Little Richard + Little Richard.wav

Peak level 100.0 %
Range quality 100.0 %
CRC 7B04F63B
Copy OK

No errors occured

End of status report

************************************

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Analyzed: Here's Little Richard + Little Richard, Vol.2 / Little Richard
--------------------------------------------------------------------------------

DR Peak RMS Duration Track
--------------------------------------------------------------------------------
DR8 -6.31 dB -16.43 dB 2:23 01-Tutti Frutti
DR13 -4.67 dB -18.68 dB 2:41 02-True, Fine Mama
DR9 -6.61 dB -18.44 dB 2:25 03-Can't Believe You Wanna' Leave
DR10 -4.50 dB -17.23 dB 2:07 04-Ready Teddy
DR9 -5.92 dB -17.79 dB 2:03 05-Baby
DR11 -4.40 dB -18.26 dB 2:42 06-Slippin' and Slidin'
DR11 -4.53 dB -17.40 dB 2:07 07-Long Tall Sally
DR11 -4.47 dB -18.51 dB 2:15 08-Miss Ann
DR12 -4.90 dB -19.20 dB 2:07 09-Oh Why?
DR11 -5.68 dB -18.34 dB 2:21 10-Rip It Up
DR9 -6.91 dB -17.73 dB 2:02 11-Jenny Jenny
DR14 -4.46 dB -20.38 dB 2:25 12-She's Got It
DR10 -5.85 dB -16.83 dB 2:18 13-Keep A Knockin'
DR10 -6.59 dB -18.57 dB 2:05 14-By The Light Of The Silvery Moon
DR9 -6.44 dB -18.89 dB 2:17 15-Send Me Some Lovin'
DR12 -4.51 dB -18.06 dB 2:18 16-I'll Never let You Go
DR11 -4.48 dB -19.06 dB 2:13 17-Heeby Jeebies
DR9 -6.74 dB -18.53 dB 2:19 18-All Around The World
DR11 -5.02 dB -17.23 dB 2:08 19-Good Golly, Miss Molly
DR8 -5.51 dB -15.77 dB 2:09 20-Baby Face
DR10 -4.51 dB -16.27 dB 2:05 21-Hey Hey Hey Hey
DR9 -4.97 dB -15.74 dB 2:06 22-Ooh! My Soul
DR11 -4.54 dB -17.19 dB 2:29 23-The Girl Can't Help It
DR10 -4.90 dB -16.96 dB 2:22 24-Lucille
--------------------------------------------------------------------------------

Number of tracks: 24
Official DR value: DR10

Samplerate: 2822400 Hz / PCM Samplerate: 88200 Hz
Channels: 2
Bits per sample: 24
Bitrate: 5645 kbps
Codec: DSD64
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