Anita - ur en tonårsflickas dagbok / Anita: Swedish Nymphet (1973) [ReUp]


Anita (1973)
DVD5 | VIDEO_TS | NTSC 16:9 | Cover + DVD Scan | 01:35:09 | 4,47 Gb
Audio: Swedish AC3 2.0 @ 192 Kbps | Subtitles: English
Genre: Drama, Sexploitation

Swedish cult-film starlet Christina Lindberg appears opposite international film star Stellan Skarsgård in director Torgny Wickman's controversial erotic drama. Anita (Lindberg) is a young girl whose troubled childhood and neglectful parents have left her hungering for love. A psychologically unstable nymphet driven to pleasures of the flesh, Anita soon finds a kindred soul in kindly university student Erik (Skarsgård). As Erik and Anita's relationship grows increasingly intimate, the sympathetic student attempts to help his troubled friend work through her many problems. Anita is more than willing to open up to Erik, and upon listening as his new friend recounts all the details of her sordid past it becomes increasingly obvious to Erik that the only way for Anita to conquer her nymphomania is to experience a genuine orgasm.

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Anita is a girl of only 16 years, and while she has developed early physically, to a mature woman, she is psychologically completly ruthless. Her relationship the her parents and her friends is very poor and she is regarded with contempt by the people around her, even by the men who so ruthlessly use her. During her troubles she meets Erik, a young psychology student. Gently and carefully he begins to dispell her psychological blocks. In the course of this treatment she reveals to him some of the shocking espisodes of her previous experience and how an inner compulsion forces her into humiliating debauchery in dangerous environments. Erik believes he has the solution to Anita's problems: to let her move into an artist's communal experiment, of which he is already a member. The common interest of this collective is largely the performing of classical music.


Anita's prosence in the collective, however, is regarded by some of the other girls as highly provocative. Anita's nymhomania is her means of protest against her parents, school, society and her own enviroment (her whole life situation). Erik holds a scientific theory that Anita will be free of her sexual fixation if she were once able to experience a true orgasm. He therefore tries to get her to see clearly, and with some insight, the breadth of her psychological situation. Against the background of the intensive battle that Anita carries om with the self-destructive drives within her, grows the depth of feeling that bind her and Erik together. She is no longer simply a "case" for him. Anita discovers that Erik is the one man whom she both wants to, and can, remain together with...
Stefan Nylen, imdb.com


When you get right down to it, sure, “Anita” is sexploitation, and sure in many occasions it can be pure smut, but, and this is a giant but: “Anita” can also be quite entertaining. Very much in the vein of films like “Black Snake Moan,” Wickman’s drama porn is not just a display for Christina Lindberg and her gorgeous physique, it’s an interesting study in the habits of nymphomaniacs, and the misery that can arise from sex and sexual acts when it’s made out of sheer impulse and not pleasure. Sixteen year old Anita is a girl with so much psychosis that she’s hopelessly addicted to sex and really has no grasp on restraint or discretion when it comes to getting what she wants. She waits at train stations and picks up men at random, she has sex with them at construction sites and airport terminals, and she hates herself immediately afterward.


After an incident with one of her roommates, Anita seeks a resolution to her sickness and is willing to make a change all at the behest of her friend Erik, a man who seeks no sexual pleasure from her, and in the process of therapy finds himself falling for her. A very young Stellan Skarsgard plays Erik, a man who happens upon Anita one day during a sexual rendezvous and forms a friendship with her. His delving into her sexual past as well as the symptoms of her sexual cravings all amount to eventual physical harm and dangerous environments. While the overall cure to her nymphomania is a bit overly simplistic (she just needs a great orgasm and she’ll stop screwing around! Riiight),“Anita” does portray nymphomania as a stern and often serious affliction that keeps this girl at the mercy of her urges. Though the men enjoy the sex with her, Anita is despising her behavior, showing true disgust at the men she has sex with, gains no pleasure at all from the interludes, and really has no idea how to stop. Most of all, Wickman examines the double standards behind nymphomania between the sexes, and how nymphos are commonly misidentified.


“Anita” does portray nymphomania as a stern and often serious affliction that keeps this girl at the mercy of her urges. Though the men enjoy the sex with her, Anita is despising her behavior, showing true disgust at the men she has sex with, gains no pleasure at all from the interludes, and really has no idea how to stop. Most of all, Wickman examines the double standards behind nymphomania between the sexes, and how nymphos are commonly misidentified.


Wickman doesn’t always explain away Anita’s sexual escapades and really only focuses on her conquests whenever necessary to the story. Her experience, which is hinted to have begun well before puberty, is often explored in the midst of passion. She's a pro and not by choice. In one scene she completely rips off her panties with one hand in a swift quick motion, a sign of a woman who, Wickman shows, has performed such an act a million other times before. Lindberg is a pure force of sexual nature on-screen and gives a fantastic performance which becomes a feat not easily accomplished considering “Anita” could have easily become another porno.


Lindberg instills a lot of innocence and humility in Anita when she’s in plain clothes, often whimpering and desperately looking for a way to break free from her obsession. Lindberg, who is best known for starring one my favorite revenge films “Thriller—A Cruel Picture,” adapts well into this role and makes Anita a sympathetic figure who never makes the right decisions but tries to. Always appreciating convenient ambiguity, there's never any indication what created this figure of sexual depravity that has sex out of impulse and not pleasure. Perhaps it’s her insecurity, her monotonous home life, or her inferiority complex to her more homely sister. Regardless of the cause, Anita is a woman with a craving that will prove potentially dangerous. Lindberg and Skarsgard are good together here, and their chemistry radiates off-screen creating a rather entertaining romantic chemistry throughout the narrative. “Anita” isn’t perfect, but it sure works on many levels.


Another goody in the sexploitation sub-genre, "Anita" is a wonderful skin flick, an interesting glimpse at nymphomania, and a great display of acting talents from Lindberg and Skarsgard. "Anita" is worth the hype, and worth the watch.


Special Features: None on the source


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